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March
2004
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Culture,
Entertainment & Literature
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Kal
Ho Na Ho Conquers Paris
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His
next film will again be on the great Indian family. But
right now filmmaker Karan Johar is busy making Kal Ho Na
Ho conquer international territory. The film, directed by
Nikhil Advani and produced by Johar, has just won the prestigious
Prix du Public award at the Valencienes Film Festival in
France. "They had earlier invited Kabhi Khushi Kabhie Gham
. This time Kal Ho Na Ho was in the competitive section.
It competed with well acclaimed films like the Afghani Osama
and the Australian Hypnotic. It won the public award," Johar
said.
Courtesy:
The Economic Times, March 27, 2004
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Bollywood
Spreads Wings, Bags Cable TV Slots Overseas
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Even
as it makes forays into overseas theatres, Bollywood is
gradually spreading its banner across the international
cable and terrestrial TV circuit. Small screens in the UK,
Indonesia, Singapore, Mauritius, the Gulf, Malaysia and
Thailand have become the happy hunting ground for Hindi
films. And this is an added distribution avenue, beyond
the telecasts of Bollywood movies by satellite channels.
Cable television windows are also opening up for Bollywood
in Sri Lanka, Russia, US, Iran, Turkey, Canada, South Africa
and Fiji. In revenue terms, each of these TV markets is
churning out between $100,000 and $1m-plus yearly for tinsel
town. "Based on revenues earned by Hindi movies and their
demand, the biggest markets are Indonesia, Malaysia and
the UK. Indonesia and Malaysia both generate over $1m for
Bollywood titles and telecast new productions and nearly
300 earlier films. About six channels in Indonesia show
Hindi films," Sushil Agrawal, chairman of the video, cable
and satellite sub-group of the Producers' Guild of India,
told ET. Compared to Indonesia and Malaysia, TV networks
in the UK probably broadcast a lesser number of Hindi films.
Courtesy:
The Economic Times, March 25, 2004
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B'wood's
Dil Chahta Hai Australia
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If
the Tom Cruises and Nicole Kidmans of Australia are winning
hearts in Hollywood, the Indian entertainment industry is
doing the same Down Under. In the last four or five years,
well over 100 projects have unfolded in various Australian
locales. While 60% of these ventures revolve around movie
productions, 30% relate to TV commercials and the rest embrace
music videos and tele-serials. "While a chunk of these projects
have emanated from Bollywood, one also sees a mix of south
Indian and Punjabi assignments. The deluge really began
from around '98-99, when Indian producers and directors
homed into shooting their productions in Australia," Anupam
Sharma of Temple Films told ET. Sydney-based Temple Films
has been involved in Indian productions for the last six
years. Kamal Hasan's 'Hindustani' was one of the first Indian
films that had a couple of songs shot in Sydney. And then
Feroze Khan exposed Australian locations to Indian producers
in a big way with 'Prem Aggan', which was filmed extensively
in Australia ," Mr Sharma said, speaking on the sidelines
of Ficci's 'Frames' in Mumbai.
Courtesy:
The Economic Times, March 23, 2004
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Now,
an Indian Nirvana on American TV
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Following
the success of shows like Goodness Gracious Me and The Kumars
at No 42 on British television, it's the turn of American
television networks to acknowledge the presence of the growing
Indian American community in USA. Two major networks NBC
and ABC are developing pilots of shows revolving around
an Indian family. While Oscar-nominated filmmaker Mira Nair
is developing a television series with Carsey-Werner-Mandabach
(CWM) for ABC television network about a Punjabi family
living in New Jersey, Ajay Sahgal has created a television
series called Never Mind Nirvana for NBC. Never Mind Nirvana
is a romantic comedy about a man whose traditional Indian
family moves in when he gets engaged to a white woman. The
series will revolve around the adjustments and tensions
in the family as they come to accept the white Caucasian
woman as their bahu. This will be the first time that a
mainstream television series will focus on an Indian family.
And Ajay Sahgal received his fair share for gratitude from
the actors auditioning for Never Mind Nirvana. "The actors
reading for the parts told me that it was refreshing to
be auditioning for parts other than a cab driver or a laundry
store owner, or working in an independent film. It is more
substantial than that," he said.
Courtesy:
The Pioneer, March 21, 2004
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India
to Restore 12th Century Temple in Cambodia
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India
will take up a five-phase restoration and conservation of
the 12th-century Ta Prohm temple in the Angkor region of
central Cambodia, according to K.T. Narasimhan, leader of
the Indian team entrusted with the work. "It will take a
decade to complete this project. Each phase will consume
two years. Built by the Khmer King Jayavarman-VII (A.D.
1181-1220), the Ta Prohm temple was originally called `Rajavihara'
and dedicated to the King's mother. Made of sandstone, the
temple was built in the "Sarvato Bhadra" style, having entrance
on all cardinal directions with a `gopura' superstructure
over the entrance wall. "It is very similar to the style
of Lord Ranganathaswamy temple in Srirangam," said the veteran
archaeologist, who returned to Chennai this week after a
two-month investigation work in Cambodia. For the Ta Prohm
project, India has agreed to provide the know-how, technical
expertise, materials and funds and the ASI has been assigned
the responsibility. The two countries signed an agreement
in April, 2002 during the visit of the Prime Minister, Atal
Bihari Vajpayee, to south-east Asia. The project cost is
put at Rs. 25 crores. Emphasising that the Indian school
of temple architecture influenced the Khmer architecture
immensely, he said similarities could be found in many respects.
"One can see there influences of Dravidian architecture
in the form of pyrammidical structure of Vimanam or that
of Rashtrakutas in door jambs or that of Oriya in `sukanasika'
(a prominent projection in Vimana). Similarly, the concept
of `panchayatana' [having main sanctum at the centre flanked
by four sub-shrines on all the cardinal directions] was
adopted and improved by them. An Indian example of this
concept is the 8th century Lord Amareshwara temple in Amaravati,
Guntur district of Andhra Pradesh. The Khmer Kings followed
even our methodology in construction of temples. For example,
Ta Prohm temple was built using stone as the only core material.
This method of construction is called `suddha.' Indian examples
are Lord Kailasanatha temple in Kancheepuram and the Big
Temple in Thanjavur, which were built earlier." Given the
historical bonds between the two nations, Mr. Narasimhan
said more Indians should evince interest in Cambodian art
and culture.
Courtesy:
The Hindu, March 21, 2004
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Indian,
Israeli Musicians Compose Hebrew-Sufi Qawwali
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A
Hebrew-Sufi qawwali composed by Indian and Israeli musicians
is slowly casting its spell on young India lovers in Israel.
The new rendition is the brainchild of Shye Ben-Tzur, an
Israeli who has been living in India learning Qawwali music
and Indian languages. Ben-Tzur's musical CD titled Heeyam,
recorded over 16 months in Rajasthan, Mumbai, Varanasi,
Delhi, Tel Aviv and New York, has received critical acclaim
and is slowly getting popular. The music group consisting
of both Indians and Israelis had participated in the Beersheet
music festival in Israel and performed in Tel Aviv last
September.
Courtesy:
Hindustan Times, March 18, 2004
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News
Channels Vie for Eyeballs, Advertisement Pie
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Too
much chasing too little. Eleven Hindi and English news channels
are fighting hard to grab a piece of the Rs 330 crore advertising
pie. And market leader Aaj Tak with a 29 per cent viewership
share gets as much as Rs 150 crore of that. Four of the
biggest news channel launches of last year - Star News,
NDTV India, NDTV 24 X 7 and DD News - have had varying fortunes
in the great news whirligig. While Hindi continues to be
the medium, it is clear that channels with an identity continue
to outperform others. If NDTV India has Prannoy Roy as its
face, Zee News is more often than not first off the blocks
with breaking news, while Aaj Tak remains the preferred
news channel of the masses with a clear cut advantage through
saturation coverage. DD News has the terrestrial reach to
sneak into our living rooms. Which leaves Star News as the
channel without a distinct niche. An elitist look and feel
is proving to be the biggest drawback for the channel, according
to media analysts. The Ananda Bazar Patrika-owned and editorially
controlled channel's journey has been strewn with regulatory
impediments and the channel has limped to a viewership share
of 13.9 per cent in the news channel universe. After its
celebrated divorce with Prannoy Roy's NDTV and its subsequent
marriage with the ABP Group, Star News hasn't made any headway
whatsoever. All these channels will be chasing the Rs 450
crore adspend in the news segment (including the southern
news channels). Zee, Star and NDTV each get about Rs 40
crore. Another avid analyst said, "There is too much clutter.
The share of the growth of the channels is decreasing due
to the increasing fragmentation."
Courtesy:
The Hindustan Times, March 17, 2004
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Matrubhoomi
Picks Up Yet Another Award
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The
Indian film Matrubhoomi (A Country without Women) directed
by Manish Jha was awarded the International Critics Prize
at the Deauville's Asian Film Festival, France, while the
audience award went to the Bhutanese film Travellers and
Magicians directed by Khyentse Norbu.The six-member jury,
chaired by French director Olivier Assayas, wrapped up the
four-day event in the French seaside town by giving the
Golden Lotus award to director Im Sang-Soo for his third
full-length feature, starring Moon So-ri.
Courtesy:
The Hindustan Times, March 15, 2004
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Top
Indian Paintings Going Under the Hammer Soon in NY
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The
two upcoming art exhibitions in New York are an indicator
of the growing secondary market of contemporary Indian art.
The shows, organised by Sotheby's and Christie's, will be
held on March 24 and 25 respectively. This is the first
time that spring sales of 20th century Indian art are being
held. Says Mallika Sagar, A large number of works have come
from the estate of Late Henning Holck-Larsen, former chairman
of Larsen and Toubro and known to be a connoisseur of contemporary
Indian art. Says Dean, "The Sotheby's sale will offer works
not seen in India and rarely seen internationally." These
foreign collectors were collecting Indian art in the 50s
and 60s in a big way. Clearly this is going to be a trend
in the international auctions. Artists whose works are in
demand in the international market include Arpita Singh,
Ganesh Haloi, Prabhakar Barwe and Jogen Chowdhury. Of late,
A. Ramachandran is also surfacing in the international market.
One has to wait for three weeks to see what new records
are set.
Courtesy:
The Hindustan Times, March 14, 2004
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India
Shines on Tourist Map
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The
World Travel & Tourism Council has rated India as the second
fastest growing travel and tourism economy in the world
in its 2004 Top Ten list. The annualised real growth in
travel and tourism demand for India is projected to touch
8.8 per cent between 2005 and 2014. According to the forecast
released by the council for 174 countries at the London
Stock Exchange on Thursday, India is second only to Montenegro
while China occupies the third place. While the annualised
real growth for Montenegro is expected to be 10.3 per cent
that for China will be 8.7 per cent.
Courtesy:
Hindustan Times, March 12, 2004
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Kal
Ho Na Ho Clicks Big Overseas
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Kal
Ho Na Ho is the most happening story in the overseas video
and theatrical markets among recent releases. Having grossed
around $700,000 through DVD sales in the North American
and UK markets, the Bollywood blockbuster has clocked $4
million-plus in the theatrical circuit. While the movie
had opened at theatres abroad in step with the domestic
release, DVDs of the film have been circulated internationally
only from mid-February 2004. "Kal Ho Na Ho has done around
$2 million theatrically in the US and Canada and $1.5 million
in the UK. As far as DVDs go, the North American region
has hogged close to $500,000, with the UK market turning
over about $200,000," Sushil Agrawal, chairman, Video Federation
of India, told The Economic Times. "One was actually expecting
Kal Ho Na Ho to ride a bigger launch than the 30,000 DVDs
in the US and 10,000 DVDs in UK." In tandem, Khakee, he
said, has notched nearly $600,000 from DVDs and over $1
million from theatres mainly in the US and UK. Figuring
in the second rung of success stories overseas are films
like Maqbool. The movie, apparently inspired by Macbeth,
has seen around 15,000 DVDs arriving at retail shelves in
the US and UK.
Courtesy:
The Economic Times, March 09, 2004
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